Music - Online Guitar Lessons

 Slater Media
  By Mark Slater
Guitar Lessons Menu

Lesson 1 - Introduction
Lesson 2 - Tips and Pointers
Lesson 3 - Matching a Tone By Ear
Lesson 4 - Names of the Strings
Lesson 5 - Tuning Your Guitar
Lesson 6 - The Twelve Tones
Lesson 7 - Harmonics
Lesson 8 - The Major Scale
Lesson 9 - Relative Pitch
Lesson 10 - Different Keys
Lesson 11 - Major vs. Minor
Lesson 12 - Pentatonic Scales
Lesson 13 - Modes 
Lesson 14 - Chord Structure
Lesson 15 - Learning Music By Ear
Lesson 16 - Speed and Technique

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Ear Fusion Guitar Lessons - How To Play By Ear

The major scale

            OK…now I want you to know that you are not expected to understand all of this in one sitting, it is important to practice with intensity, but also be patient, if you get frustrated…take a break and come back. Things can come to you if you come back or read this more than once. Just be patient and understand that you can do this. Anyway, on to the major scale. If you’ve ever had a music class in elementary school or studied singing or anything like that, you may be familiar with the tone sequence that music teachers hum or sing which goes like DO-RE-MI-FA-SO-LA-TI-DO.                                             

            You may not know or be able to remember how this sounds when sung correctly…but you’ll learn soon. Let’s look at figure 3 again here.

FIGURE 3 (Again)

            As we know, this shows all of the notes on the fret board…at least up to 22 frets…your guitar may have a couple more or a couple less frets. What does figure 3 look like if we were to take out all the sharp notes and all the flat notes…this is how it would look in figure 5. 

FIGURE 5

Notice that in figure 5 we have nothing but natural notes marked meaning NO sharps or flats. Perhaps you’ve heard or known about songs being in a certain KEY…well these are all the notes in the key of C Major which happens to have no sharps or flats. Remember that a half step is one fret and a whole step is two frets. See on the bottom E string at the 8th fret…you have a C note. Notice that when you start at C and move up a whole step or two frets you land on a D note. The pattern is shown in figure 6.

FIGURE 6

C would be DO, D would be RE, E would be MI and so on. Hence the sequence

DO-RE-MI-FA-SO-LA-TI-DO. Play the pattern from the C on the 8th fret to the C on the 20th fret. Do it a few times until you memorize it and can play it clearly. Go up and then back down to get familiar with the sound going in both directions and hum the notes, matching them with your voice until you can sing the DO-RE-MI pattern without hearing it. Now go back and look at figure 5…find the first C note on each string and play the pattern starting with each C note and hum to them. Each time you go through the pattern from one C to the next…you are playing 8 notes total…this eight note pattern is called an OCTAVE. Remember, OCT- is a prefix meaning 8. Like an octagon has 8 sides. Notice the C on the 20th fret of the bottom E string is higher pitched than the C on the 8th fret. That is because the two C notes are one octave apart. Remember in the harmonic lesson how we created a harmonic on the 12th fret of the strings which was also exactly half the total string length? Well, when you play C on the 8th fret of the E string, you’re making the E string shorter, that’s why it’s C instead of E. So the notes on all the strings after the 12th fret are the same notes on all the strings at the very first frets…just an octave higher…so this is basically cuts your basic fret board structure down to just the first twelve frets. In the C Major scale or key of C…C is the ROOT note. Most songs in general tend to be in the key of C. But some musicians and artists in particular might use more of the other keys besides just C.

Next - Lesson #9 - Relative Pitch

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